
Photography: Keizo Kioku

Photography: Keizo Kioku

Photography: Keizo Kioku
2019
一雫の海
Setouchi Triennale2019
sea drop
Former Shamijima Elementary and Junior High School (Kagawa Prefecture)
Sand, salt, salt field materials, lighting equipment, sound equipment, etc.
Special lighting: Yasuhito Suzuki
Cooperation: Sakaide City Salt Industry Museum
2019
一雫の海
Setouchi Triennale2019
sea drop
Former Shamijima Elementary and Junior High School (Kagawa Prefecture)
Sand, salt, salt field materials, lighting equipment, sound equipment, etc.
Special lighting: Yasuhito Suzuki
Cooperation: Sakaide City Salt Industry Museum


Photography: Keizo Kioku
Photography: Keizo Kioku
About "Sea Drop" at the Setouchi Triennale 2019
This installation evokes the memory of the salt fields that once stretched across Sakaide, through a single drop of water and a salt crystal. In the space of the former Shayamijima Elementary and Junior High School, the process of time in which salt is created is reconstructed using sand, water, and light. By superimposing the memory of the salt fields lying dormant beneath our feet with the appearance of crystals formed over many years, the time and human activities etched into the land are quietly brought to light.

About "Sea Drop" at the Setouchi Triennale 2019
This work, "A Single Drop of Sea," is an installation presented at the Setouchi Triennale 2019 at the former Shayamijima Elementary and Junior High School in Sakaide City. Its theme is the history of salt production in Sakaide and the layers of time accumulated in the land. Kagawa Prefecture was once known as "Sanuki Sanpaku" (Three Whites of Sanuki), and salt was an important industry that supported the local economy. In Sakaide City, large-scale salt field development progressed from the 19th century onward, and salt fields were also built on Shayamijima during the Meiji period. However, due to changes in salt production technology and industrialization, the salt fields disappeared in 1971.
This work, based on this historical background, is an attempt to reconstruct the memory of the salt fields that have now been lost due to land reclamation, as a spatial experience. The exhibition utilizes the structure of the old school building, and in the introduction, sand, salt, and old photographs evoke the presence of the salt fields lying beneath the ground. In the following darkroom space, the topography of sand and dripping water are combined to visualize the "flow of time" before the salt was formed. Further inside the space, salt stalactites are formed by water droplets falling from the ceiling, and the accumulation of time appears as a physical entity.
The process by which a single drop of water crystallizes over many years symbolizes the history accumulated in the land of Sakaide. This work is not an attempt to recreate a lost landscape, but rather an attempt to reconsider the relationship between land and people by allowing viewers to experience the relationship between memory and matter, time and body, as a spatial experience.












